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Once there was an amazing author with a big story to write.
He developed far more characters than an average memory genius can keep track
of. He carefully set each profile aside, anticipating the day he would
introduce it to the intricate and enormous world of his story that literally
spanned galaxies. The ideas were abounding, never ending.
But the Author decided to start with just two characters. Oh,
he loved characters. He had a way of breathing life into them, so that they
laughed and danced; it gave him great joy just to watch them and to talk with
them and to guide their lives according to his outline. They were his most
precious creation, and he loved them like his own children.
He got quite a few assistants to help him with the execution
of it all—a few extra hands. He often sent them into the story to interact with
it directly. One of his best helpers thought it was a pretty great story. In
fact, it could be better if a few things were changed. The Helper started to
believe that he could take on a lot more of the job than the Author was
allotting him. He rallied a few of the other assistants, organizing a protest.
The Author fired him. This was not the Helper’s story. The
Ex-helper became bitter. He wrote himself into the story without permission,
determined to have a say in it anyhow, lying about the Author. Using a clever
disguise, he tricked the first two characters into rebellion. They did not
realize that in allowing any but the Author to guide them, they changed the
fate of every other character to come.
The masterpiece was ruined. Meticulous sketches and pages
and pages of notes were singed, blotted with ink, and soaked in water, tossed
to the ground.
The Author mourned. But he would not give up his greatest
work.
The story went on beneath the ink, and the characters were
in pain. The original plans were all still in the Author’s head, unbroken and beautiful.
He would create them again, but even better! And this time he would make them that
much more real. Settings were replaceable.
Characters were not.
He had given a bit of himself to bring each character to
life. He would not leave them broken. He turned through the pages of the
original book, though every rip and stain caused him unspeakable pain. He spoke
to the characters; he showed them again the way to go. But they had all become
rebels, and few would allow themselves to hear him. They even bathed in and ate
the inkspills, so used to the common stain. Couldn’t they see that it was
poison?
According to the plan, the characters of this world would
have died in the story, only to become alive in the Author’s world. But the ink
bound them to the paper, and eventually this soiled book would have to be
burned with all the remains of ruin.
To the characters who would listen, the Author told the
truth. He promised that he would rescue them, each one of them, if they would only
let him. But he could not put them in his new book with their stains. He could
remake them exactly as they should have been, but they must allow him to do it
and work with him, for in giving them life he had given them wills of their
own.
The Author’s son saw his pain. He knew that the ink was so
engrained in the lives of the characters that the only way to remove it was
from below the stains. He offered to do it himself. His father could do
it—could send him into the story. So the Author did.
The Son walked amongst the characters, telling them the
truth, showing them the way they were meant to be, and many of them believed
him. But many could not see past the ink in their eyes, and they shunned him
for his strangeness. He could not be the Author’s son, bringing the Author’s
messages! Nobody had heard from the Author for years!
The Ex-helper, lurking in the shadows, reveled in his
success. If the rebels would not give up the rebellion (in fact, they had
started to believe they were not really rebels), then the devastation was
permanent, and all would be lost in the burning. If only he could manage to get
a blot of ink on the Author’s Son, now that would be a crippling blow; the Son
would be doomed as well.
But the Son knew of the Ex-helper’s tricks and would not
fall for them. The best that the Ex-helper could do was to manipulate some of
the rebels into killing him. At least to get his good influence back out of the
story!
But there was something that the Ex-helper had overlooked.
For a character who had never been stained to die—this would loosen the bond of
the ink. All the ruined characters would be given a chance to escape, a
lifeline to hold to as they slipped from beneath the blots. This had been
forgotten, because there were no longer any worthy characters.
So the rebels killed the Author’s Son.
The jig was up. Back in his world, the Son had a knife to
the throat of the Ex-helper, and he was bound to the doomed book. The Ex-helper
feebly whispered into its pages that the Son had failed and all was lost; but
the Son, now able to move freely into the book and out of it, spoke the truth.
He would never let the hope die. And each character who was willing to discard
the loosened ink, the Author and his Son polished clean, placing them safe in
the new book, aptly named the Book of Life, for in it was every character who
could truly live even after leaving the story. When they died, they would be
free of the stains, for no longer was the ink soaked into the fibers of their
beings. Alive in the Author’s world, they could truly meet with him in the new
world the Author constructed, far from any ruthless ink or rebellion. And once
the long, meticulous, love-driven task of restoration was completed, once
everything that could and would be saved was, everything left of the doomed
book would be thrown into the fire with the one who made it so.
The new story would be better. The new story would be
bigger. The new story, would, heart wrenchingly, be many characters short, but
not because of any lack of attention on the Author’s part. Those who wrapped
themselves in their stains chose doom; those who chose the Author chose life.
And what a life it would be.
-REALLY
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APPLAUSE-
THIS IS BEAUTIFUL AND INSPIRATIONAL WHAT A GREAT SORT OF METAPHOR AND WHAT A BEAUTIFUL CONCEPT aaaah characters coming alive in the /author's/ world what a great author and the sad part where the book is ruined is really great and this whole thing this is just great i love it
Thanks. c: I really like the concept of God as a writer/artist. He does so much creating; He's actually, you know, an awesome author. c:
DeleteThis…is really really cool. It's explicitly Christian without whacking you over the head with the message. It puts a really cool perspective on God and the whole creation story and kind of deepens the intensity of the sacrifice Jesus went through for us. Awesome job :)
ReplyDeleteThanks! I was trying at first to make it not identifiable as a "Christian" story; sort of a thing that would draw in an "average" reader and make them realize how /cool/ God actually is. I guess the metaphor is actually really obvious, but it's still a perspective of God that I really enjoy.
DeleteBesides the fact that this was really engaging and well-written, it also hits at the heart. As my art teacher used to say, we humans like to put things in boxes, thus we mortals constantly rely on our own image of just who God is. This story put God into a realistic and exciting perspective, and this causes me to think more about just what it is I believe in. Thanks for the inspiration! This is really beautiful.
ReplyDeleteThanks! Yeah, God is really big, and completely bigger than our whole world, so it's kind of ridiculous for us to think we can get our minds around Him. I guess we tend to forget that a lot. ^^;
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